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North Carolina Diary, Part II (Luquire George Andrews (LGA), BooneOakley, WrayWard)

Wednesday December 26th, 2012

by Maria Luci

After four meetings that took us from Raleigh to Greensboro, Kayleen and I ended our second day in North Carolina at Lewbowski’s Grill in Charlotte. There, we met with some of our Charlotte crew—Dhanraj Emanuel, Peter Taylor, James Quantz Jr, Liz Nemeth and Tibor Nemeth—and threw back a couple of cold ones. Unfortunately, I couldn’t convince anyone to try Lewbowski’s specialty drink, the white Russian—but we had a blast anyway, chatting about photography, studios, stuffed foxes and just about everything in between. Eventually, Kayleen and I, tired from a day full of meetings, had to bid farewell and go get a good night’s sleep.

Charlotte happy hour.

Our last day in North Carolina began early. Refreshed and ready for another busy day, we made our way into Luquire George Andrews (LGA), an advertising agency whose clients include North Carolina Tourism, Carolina Panthers, and American Tire Distributors. We took some photos with their ginormous Christmas tree before heading into the meeting. Bearing gifts of danishes and coffee, we laid out around 15 portfolios and called the LGAers in. Several creatives were mesmerized by Cade Martin‘s ethereal photos while others praised James Quantz Jr.’s composite work. Our retoucher Janko Williams was once again a hit while anyone with dog photos was an instant favorite.

LGA review.

Cade Martin’s portfolio video:

“You can never go wrong with cute kids or puppies on a promo,” one creative told us as we packed up our things. I made a mental note of this and said goodbye. For the first time on our trip, we found ourselves with free time before our next meeting. So we drove into Charlotte and gave ourselves a mini tour, eventually parking at Hearst Tower to grab some coffee and check our email. Hearst boasted an even bigger tree than LGA’s, so we continued our photo project before heading to our next meeting at BooneOakley.

Outside of BooneOakley

You may recall BooneOakley from AMC’s The Pitch, or seen them listed as Ad Age‘s 2009 Small Agency of the Year. This small shop boasts big clients like Bojangle’s, Ruby Tuesday, Carmax, and more. Of course, another Christmas tree awaited in their office, this one of the silver variety. After snapping a photo, we laid out the books and coffee cake and waited for the BO creatives. Soon a friendly and chatty group arrived and began paging through books. Leah Perry‘s beauty/fashion work was well received as was Cheyne Gallarde‘s vintage style. The meeting was fun, with lots of laughs. We also had a lively discussion on using animals in photo shoots, including one with a skittish serval.

BooneOakley review.

After finishing up the BO review, we left for our last meeting: WrayWard. WrayWard is a creative marketing and advertising agency with a spacious office just outside downtown Charlotte. We finished our Christmas tree series in their lobby before spreading out books in an airy, window-lit conference room.

The WrayWard creatives told us they were most interested in home/garden work at the moment, and Cheryl Zibkisky‘s interiors stole the show. However, other favorites included Robb Scharetg and Calvin Lockwood for their portrait and food work respectively. The group was also pleased to hear about our stock and production services.

Calvin Lockwood’s portfolio video:

Robb Scharetg’s portfolio video:

Once the meeting came to a close, Kayleen and I packed up our bags for the last time and headed to the airport. There, we happily handed over our giant cases of books to be checked. Relieved of that heavy burden and with plenty of time before our flight, we sat down for a couple well-deserved margaritas and toasted to North Carolina!

Thanks for being so inviting, North Carolinians!

Our Christmas tree project! From top left to bottom right: LGA, WrayWard, BooneOakley and Hearst Tower

Read Part I of our North Carolina trip here.

A New York Minute: More Portfolio Videos

Thursday February 11th, 2010

Our producers Amanda and Ben are back from a snowy visit to New York, where they shared our photographers’ books at McCann Worldgroup and Avanti Press.

They met first with McCann’s art producers who work on several brands within the agency. Of interest: one of their producers working on the L’Oreal brand regards “elaborate” portfolios as the sign of an amateur photographer. She’d rather see simple books with a good edit, ie. the book isn’t prettier than the pictures inside. She receives a ton of fashion portfolios and likes when they’re small enough to view and transport easily (under 11×17, on average).

She enjoyed the design of Hayes + Hayes book, which to her conveyed just enough of a style and identity but wasn’t over the top:
http://www.youtube.com/watch?v=9XDxCCifMY8

McCann’s Applebees’ producers said that they aren’t always looking for clean food shots, but ones that are true to the food itself. Of the books that we brought,  Lincoln Barbour‘s (out of Portland) fit that description best to them:
http://www.youtube.com/watch?v=2xUA5n9AkVo

Their other thoughts on portfolios: they’re not so keen on books that consist of loose prints because looking through them can be cumbersome. Some folks worried about dirtying the prints, as well (Neil note: though that could happen with other types of portfolios, especially ones without sleeves).

Next stop was Avanti Press, a greeting card company who also has creative departments in Detroit and North Carolina. In an industry flooded with stock photos, it might surprise some of you to know that they hire assignment photographers as well. Their creatives are always looking for unusual images, and they prefer to shoot whenever possible. They are also one of the few printers who credit their photographers or agency on the back of their cards.

Avanti was particularly interested in James Quantz Jr.‘s work, as he does a lot of animal composites. Especially this image from his elephant series:

james_quantz_jr_charlotte_elephants

New Zealander Ross Brown‘s monkey photo also stood out to them:

ross_brown__new_zealand_monkeys

A few other tidbits about Avanti:

  • In 2008 they won an illustration award from Communication Arts.
  • They sometimes receive correspondences from concerned animal lovers worrying that the animals on their cards (who are almost always photoshopped) were actually smoking a cigar or playing a guitar.

We’ll have more portfolio reviews to talk about in a few weeks.

-Neil Binkley and Amanda Hanley

Boats, B-Ball, and Bengals

Monday April 6th, 2009

Robert Holland / Miami
Lifestyle / Kids / Travel / Action & Adventure / Sports & Fitness
www.robertholland.com

robert holland headshot
Comfortable shooting from helicopters, boats, and cars. Uses remote cameras, too. Now recording audio on still shoots. Recently worked in Bimini. Movie trivia: final scene of the Silence of the Lambs was shot there. Clients tell Robert he’s a “cloud freak”. He takes that as a compliment.

Jennifer Pottheiser / New York
Portraiture / Sports & Fitness / Celebrity
www.pottheiser.com

jennifer pottheiser headshot
Trains for marathons when she’s not shooting. Graduated from Duke. Makes sports celebrities feel at home. Recent NBA ad campaign was parodied by SNL, Sports Center, marketing for the Adam Sandler film Zohan, and the images even inspired a Time magazine cover.

James Quantz Jr / Charlotte
Animals / Conceptual / Landscape / Still Life
www.quantzphoto.com

James Quantz Jr headshot
When James isn’t pursuing pelicans, photographing killer whales, or floating over New York,
he’s busy creating. Has a fine art background. Shoots everything from scratch (no stock).
Conceptual imagery evolved from shooting landscapes. Learned that elephants are pretty smelly.

Elephants at the Waffle House

Friday November 14th, 2008

Whenever you need images of elephants at the Waffle House or pet tigers being walked down main street, our Charlotte photographer James Quantz Jr. is your man.

James Quantz Jr. Charlotte conceptual photographer Wonderful Machine

James Quantz Jr. Charlotte animal photographer Wonderful Machine

James Quantz Jr. Charlotte conceptual photographer Wonderful Machine

Though traditionally a landscape photographer, James found that art buyers were increasingly interested in seeing his more conceptual animal and people photography. Surprisingly, James does not use stock photography, and shoots each of the elements with the final image in mind.

Quantz is featured in this month’s AfterCapture magazine, which goes into depth about a few of the images above (the killer whale’s actually a plastic toy!), and also shows the complex compositing that goes into his work. You can read their story here.